contact ME

Use the form on the right to send me an email and I will get back to you as soon as possible.

 

         

123 Street Avenue, City Town, 99999

(123) 555-6789

email@address.com

 

You can set your address, phone number, email and site description in the settings tab.
Link to read me page with more information.

Hitz Academy Blog

A blog about performing music, teaching music and the business of music.

Is it the Hardware or the Software?

Andrew Hitz

As I mentioned on Twitter, I could have retweeted Gerry's tweet five times.  A great instrument makes it very easy to sound like yourself.  A not so great instrument makes that much more challenging.

But if you hand Joe Alessi a student trombone, he is going to sound like Joe Alessi.  Not sound kind of like Joe Alessi.  Exactly like Joe Alessi.  He will have to work a lot harder but the results won't be any difference.

The moral of the story, as pointed out by Gerry Lopez in his tweet, is to get to know every single aspect of your hardware but then equally as important is making sure your software is up to date.

Crash Course in Interpretation

Andrew Hitz

My freshman year at Northwestern, one of my first assignments from Rex Martin was one that didn't involve my tuba.  He wanted me to get deeper into the interpretation of music and told me a good place to start was with renowned pianist, Glenn Gould.

His assignment was for me to listen to different versions of the same piece by the same performer.  That piece was the Bach's Goldberg Variations for solo piano with the aforementioned Glenn Gould the performer.  His two recordings of this staple of the piano repertoire are both industry standards that have withstood the test of time and many consider them the finest piano recordings ever made.

What is truly stunning about them is how different they are from each other.  The first features a 23-year-old Glenn Gould in 1955 playing fast tempos and quite aggressively in spots.  The second is of  a 49-year-old Glenn Gould in 1981 playing much slower, more reflective tempos.  In fact, the 1981 recording is over 12 minutes longer than the earlier one!

The other part of my assignment was to listen to them both while following along with a score.  Mr. Martin wanted me to listen specifically for the balance between all of the harmonies relative to the melody throughout both recordings.  He also wanted me to listen for specific differences and how they affected the musical storytelling.

It was a truly remarkable experience for me that I recommend everyone try.  Here are the two recordings on YouTube followed by a link to the publicly available score.  I really owe Rex Martin one for making me do this exercise at a young age.  Actually hearing and analyzing these two contrasting examples by Glenn Gould was more valuable than listening to 10 masters talk about interpretation.

Thank you, Mr. Martin!

 

Goldberg Variations: Click Here for the Complete Score

1955 Version (23 years old)
Duration: 39:20

 

1981 Version (49 years old)
Duration: 51:28

Jascha Heifetz Master Class: Monday YouTube Fix

Andrew Hitz

The internet never ceases to amaze me.  Getting to witness a master class of one of the greatest violinists of all time some 50 years after the fact is pretty remarkable.

Here is a master class in four parts that the great Jascha Heifetz gave at USC in 1962.  The intensity he portrays in this class reminds me of how he played the violin.

My favorite comment from the class: "You're playing it too safe."

Enjoy!


Deviation from the Norm

Andrew Hitz

“Without deviation from the norm, progress is not possible.” ― Frank Zappa

Are you in a practicing rut? If so, what can you change to promote progess? More frequent, shorter practice sessions? Starting earler in the day? More basics? More tools like decibel meters and video cameras for additional external feedback?

We all have a tendency to find “what works” and then stick to it. But we must not be scared to change what’s working in exchange for the possibility of a breakthrough.

We can always go back to what we were doing in the first place if our deviation doesn’t bear fruit.

Lou Reed: Monday YouTube Fix

Andrew Hitz

The music world lost one of the greats this past October when Lou Reed passed away at the age of 71.  The things I look for most in music are style and conviction.  Lou Reed wreaked of both.

This is a live clip of one of his most famous songs, Sweet Jane, performed in Paris in 1974.  The funky intro is almost as good as the outfits these guys are wearing.  All I know is every time I listen to Lou Reed, my tuba playing has just a little more oomph afterwards.

Enjoy!



Always Ready

Andrew Hitz

"The secret of success is to be ready when your opportunity comes." - Benjamin Disraeli

 

For conductors, this means always doing score study.  For performers, it means always being in shape.  For all of us, it means getting out of our comfort zones frequently so we are prepared to seize the moment when it is presented to us.

Kate Davis: Monday YouTube Fix

Andrew Hitz

One of the reasons I love twitter is because of the wonderful clips like this that pass through my feed that I might ordinarily miss.  It was hard to escape Meghan Trainor's "All About That Bass" this summer.  It's a great pop tune that's quite catchy.

This clip is a cover of New York City vocalist and bass player Kate Davis doing a jazz cover of the tune with her jazz trio.  I instantly fell in love with her voice and playing and watched this video three times in a row the first time I heard it.  It is a brilliant re-setting of the tune and Kate's voice just oozes style.  Her website says she has an album forthcoming and I very much look forward to hearing it.

Enjoy!

 

Great Advice for Music Students from Eric Whitacre

Andrew Hitz

The following is a quote from Eric Whitacre's Facebook Page that offers great advice for music students entering a new school year:

"Music students: as the semester grinds on you may feel intensely burnt-out.  You may even consider dropping out of music altogether.  If that happens, go back and listen to your favorite recordings, make music with your friends, do anything you can to remind yourself why you loved music before you started studying it.  An education in music can be a very good thing, but it can also squeeze the life out of any love you ever had for it.  Don't let it."

Now that is some great advice.

Steve Dumaine: Monday YouTube Fix

Andrew Hitz

Steve Dumaine is the tuba player in the National Symphony here in Washington, DC but has many talents beyond his immense orchestral abilities.  I first met Steve when we were both in high school in New England.  He played the Vaughn-Williams Tuba Concerto with the Greater Boston Youth Symphony Orchestra back then and pretty much scared me with how good it was.

This clip is not him playing the Vaughn-Williams or anything close to it! This performance is from the 2008 Army Tuba Conference and features Steve playing a solo by the original bass player for Metallica, Cliff Burton.  I saw Metallica perform at the Worcester Centrum back in 1991 and it remains to this day one of the best rock concerts I've ever attended.  1991 was after Cliff Burton had passed away, but Steve does a great job of getting to the essence of Cliff's playing in this clip.

And my favorite part of this clip, for humor reasons, may very well be at the 2:00 mark.  Steve Dumaine is a beast on the tuba!

Enjoy!


There Isn't Any There There

Andrew Hitz

“When you get there, there isn’t any there there.”

-Zen Proverb

In an intensive field like music, perspective is everything.  Whether you are a middle school band director or a violinist in a major symphony, if you want to keep your sanity you must focus on the journey and not the arrival.

This industry is littered with former professionals who focused on the latter and ended up out of the business, either by choice or not.

The view above Crested Butte, Colorado.

The view above Crested Butte, Colorado.