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Hitz Academy Blog

A blog about performing music, teaching music and the business of music.

The Magic of Sustained Effort

Andrew Hitz

The key to improving at anything is sustained effort.

Small habits practiced just a little bit every day will compound.

David Zerkel once shared this gem with one of my students in a master class:

“If you practice lip slurs every single day for two straight weeks, the lip trill fairy will pay you a visit.”

Rather than practicing lip trills for three total hours over two days, practice them for 10 minutes a day for 14 straight days (which for the record is actually 40 less minutes overall.) You will not only have improved more at the end of those two weeks than you would have over the two days, that improvement will also be much more permanent.

The key to those 14 days is making sure the practicing is intentional. Totally focused. Phone on airplane mode. Going in with a plan. Fully in the feedback loop.

To circle back to the James Clear quote at the top, the goal is not to make massive strides. It is to get a little better every day. That improvement, just like money patiently left in a savings account or an index fund, will compound.

Establish sustainable habits and you’ll be amazed at the results.

The Brass Junkies Episode 158: Mark Gould

Andrew Hitz

This interview we did with former Principal Trumpet of the Metropolitan Opera, Mark Gould, is phenomenal. And I’m not talking about our interviewing skills!

What a fascinating conversation about performing, teaching, being creative, being human.

Seriously, don’t miss this one. And literally every musician I know should buy his brand new book, Gould on Music.

You can find various links to the episode here or catch it on YouTube below.

Enjoy!

Winning the Audition with Tom Hooten

Andrew Hitz

 
 

Principal Trumpet of the Los Angeles Philharmonic Tom Hooten joined me for a very special Winning the Audition. I can't recommend this session any more highly - and not just for people preparing for auditions! His detailed thoughts about how he goes about approaching his practicing is something every musician should hear.

 

Tom went really deep on all things relating to auditions!

  • Tom's five pillars to audition preparation

  • Why Tom had to get brutally honest with himself about what he could do on the trumpet and where his approach to practicing needed improving

  • The importance of intentionally addressing all of our weaknesses on a regular basis rather than inadvertently avoiding them in the practice room

  • Why the judgements we have of ourselves and our limitations on the instrument are frequently just an issue of a lack of time spent in that area

  • What is Neuro-Associative Conditioning and why Tom relied heavily on it during audition prep

  • And much more!

Purchase long-term access to this through the Hitz Academy archives for only $29!

 

My Presentation for the 2019 International Music Education Summit

Andrew Hitz

Last year I had the privilege of presenting at the International Music Education Summit. My presentation was titled “Instilling a Growth Mindset in Your Students for the Practice Room, Rehearsal Room and Beyond”. It focused on the far reaching impact of having a growth mindset as a musician, student, teacher and human.

A big thank you to Elisa Janson Jones for having me as a part of this incredible event.

I hope you enjoy it!

The Brass Junkies Episode 144: Marty Hackleman

Andrew Hitz

TBJ144-Promo.jpg

Between The Brass Junkies and The Entrepreneurial Musician, I’ve done over 350 interviews. Every once in a while, one changes you.

This was one of those interviews.

I’ve been friends with Marty Hackleman for many years now. He is someone who went from being a hero of mine (literally on a poster on my wall when I was a kid) to being a colleague and friend.

(As a side note, the fact that you can grow up to play with your heroes is one of the coolest things about the music business. Most industries don’t work that way!)

I cherish the conversations we’ve had over the years. In fact, we interviewed Marty on The Brass Junkies way back in 2015 for TBJ13. That was an incredible look at his career in Canadian Brass, Empire Brass, the National Symphony Orchestra and many more. His career as a horn player was unparalleled.

But this most recent conversation was remarkable enough that I feel like it rewired my brain.

Shortly after we spoke back in the summer of 2015 Marty started dealing with dystonia. That led to him retiring as a performer. He tells us all about how that felt like experiencing a death but also a rebirth. The way he spoke about it all made me feel more present in the moment. That’s a gift.

He talks about art and why we make it. He shares some incredibly deep poetry that he wrote as a late teenager. He talks about his love of playing Spanish guitar, which he now does every day. And he never plays it for anyone!

After this conversation I was inspired. It was pretty intense. Close to 10 years ago, my Brass Junkies partner, Lance LaDuke, was getting rid of an electric bass he had owned for a while. He told me that he had bought it brand new and played less than 300 notes on it. I bought it from him for $100 because I had always planned on learning how to play the bass and thought why not?

It then sat in my closet until five minutes after this conversation with Marty.

It is now a month later and I have played the bass every single day but one. I am in love with being a complete beginner on a musical instrument. It’s the first time I’ve experienced that since 1984!

I was actually struggling with musical motivation during the entire quarantine. I was still playing the tuba some because I’ve been teaching lessons but with every single gig cancelled, and so much going on in life and the world, I wasn’t feeling it. The bass has actually inspired me to play more tuba! And I’ve even started playing a little piano again! Wut??

I have since gotten an amp, a strap and a bass stand. I’m basically pro at this point!

Anyways, if you find this interview 10% as inspiring as I did then you should watch it right now. Incredible stuff.

Thanks for the inspiration, Marty!

(You can find the show notes for this episode over at Pedal Note Media.)

Great Video on Changing Your Habits

Andrew Hitz

This is a fantastic interview with James Clear, author of the book Atomic Habits.

I am an audiobook person. I bought Atomic Habits on Audible and I was less than 30 minutes into it before I hopped on Amazon and bought the hardcover version. This is a reference book that is filled with data while being incredibly easy to read.

To say something is life-changing is cliche. But this book has changed me as a father, a performer, a teacher, basically in every way.

I really enjoyed this short interview with James and I bet you will too.

And for those interested, I spoke about Atomic Habits in the very short TEM167.

Chris Bill Guide to Remote Education

Andrew Hitz

Hello there!

It’s been a long time sine I’ve checked in on this blog. Life has been good but busy. Sound familiar?

But everything has come to a screeching halt. All gigs cancelled. All in-person lessons cancelled. School cancelled for my wife. School cancelled for my son. It’s crazy.

For those of us trying to take our private teaching online, Chris Bill has put together an incredible resource. He lists the platforms to use and then both traditional and non-traditional ways for you to utilize this technology for your students.

Whether you have taught online in the past or are just trying to begin, this is a really helpful list.

And be on the lookout for an episode of The Brass Junkies that drops tomorrow featuring Chris talking all about online teaching.

Stay safe everyone!

Chris Bill Guide to Remote Education

The Most Validating Day of My Life

Andrew Hitz

25 years ago today was possibly the most validating day of my life.

I took Sam Pilafian to his first ever Phish show and he completely lost his mind.

It was maybe during the third song of my first ever Phish show (the previous New Year's Eve) when I thought "Sam has to see this band." It became my mission to get those five humans in the same room.

I flew from Chicago down to Phoenix with the sole purpose of taking him to the 12/9/94 Phish show at the Mesa Amphitheater, even though it was under the guise of "staying in touch with him and checking out ASU for graduate school." I was only a sophomore LMAO (Thanks for the plane ticket Mom + Dad!)

Mesa Amphitheatre

Mesa Amphitheatre

The band came out and launched into a tune called Llama which was at about 180 bpm. Sam's eyes were on the band and I my eyes were glued to him. He was staring without any expression whatsoever. He was giving me nothing. He seemed to be into it but just standing there like a statue.

Trey Anastasio's guitar solo on this version was crazy. Lots of noise and effects. Angular and almost violent while slowly building like a giant angry roar. Just before it peaked, the drummer, Jon Fishman, played a measure of quarter-note triplets on the kick drum underneath the madness.

That drum fill was the precise moment when Sam, who was still standing completely still, suddenly unleashed a double fist pump and at the top of his lungs screamed "%&@$ YEAH!!!" He didn't yell this towards me. He yelled it AT THE BAND. He got "IT" instantly. What they were capable of individually. How cohesive of a chamber group they were. The whole thing. Like, all of it.

After the first tune he said to me something to the effect of "Okay Hitz I get it!" That was already obvious but still filled my heart with pride. Can't put into words how validating the first five minutes of that show were for me as a musician and a human.

The rest of the first set could not have been drawn up any better to show off everything the band could do to a musician like Sam. During the second song's guitar solo, the entire band diminuended until they all completely dropped out except for Trey. He is playing unaccompanied at pp and eventually the rest of the band rejoins him as softly as they can. They then execute one big crescendo to ff together until it all peaks. A band playing pp at an outdoor rock concert literally moments after the the violent, tweaked wall of sound opener. Sam was floored.

The third tune was a song called Guyute, which is one of the most intricate and complex compositions in their entire repertoire. And they nailed the shit out of it. Like walk off the stage positive you advanced to the next round nailed the shit out of it. Again, he was floored.

I could speak at length tune by tune on Sam's reactions but I won't. The perfectly executed accelerando in Sparkle. A barbershop quartet tune. A couple of acoustic bluegrass tunes. Sam commenting on the stage presence of the drummer for his two humorous solo numbers "What a showman. He had that crowd eating out of the palm of his hand. That's how you do it." The versatility they displayed took his breath away.

He saw all-time versions of three Phish tunes that might all be on their Mount Rushmore: Antelope, You Enjoy Myself and Tweezer. The Tweezer is a 26-minute monster jam that featured the jam of another one of their tunes embedded in the middle of it. That jam featured one giant, Mahler-esque build that when it peaked had Sam smiling from ear to ear.

Sam went to a number of other Phish shows in his life. Some with me and some on his own. He got it. He really did. And he bent over backwards while I was his Graduate TA to help cover my studio responsibilities so I could continue to get to shows (which was hard while living in Arizona!) He knew how much they meant to my musical development and my soul.

Sam was one of the first people I called when I found out I was going to be sharing the stage with Trey Anastasio and the National Symphony Orchestra back in 2013. He was almost happier than me! Almost...

So if you see me smiling extra wide tonight from the podium at the Kennedy Center, yes I'm happy as hell to be conducting another Tuba Christmas. But I also might be thinking about Sam's involuntary double fist pump during Llama 25 years ago tonight which holds a very special place in my heart.