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Hitz Academy Blog

A blog about performing music, teaching music and the business of music.

Arthur Rubinstein and the London Symphony Orchestra: Monday YouTube Fix

Andrew Hitz

Arthur Rubinstein is one of the piano greats.  Here is a very high quality video of him performing the Chopin Piano Concerto No. 2 with the London Symphony Orchestra under the direction of Andre Previn in 1975.  He is 88 years old in this clip and plays beautifully!  It is hard for me to process that this performance is from the year I was born and yet Rubinstein was born in 1887!

He retired from performing only one year later although he lived until the age of 95.  His career is filled with momentous accomplishments.  He was best known as a recitalist and concerto soloist, but he also performed a lot of chamber music with the likes of Jascha Heifetz and Pablo Casals.

You will hear why he is considered one of the greatest pianists of the 20th century.

Enjoy!


On the wings of the immortal classical music.


Joe Alessi Master Class Quotes from 2008 ABA Convention (2 of 2)

Andrew Hitz

Here is the second installment of quotes from Joe Alessi, Principal Trombone of the New York Philharmonic, from his master class at the 2008 American Bandmasters Association Convention.  Click here for the first installment.

 

  • After a less than stellar first attempt by a student playing in the master class: "Let's hit the reset button and try again."
     
  • "In my lessons at Juilliard, you have to play one with a great sound or the lesson doesn't start.  It's like putting on your seatbelt in the car."
     
  • "When you take a breath don't lean into it."
     
  • "Really think about the sound you want to play with on the first note of every passage."
     
  • He had the student "mime" the passage by breathing with the slide: "Get everything timed."
     
  • "Mime a fast lick very short and slow.  Like getting the timing right on your engine."
     
  • "Stay in a good stage presence between sections."
     
  • "Don't think of a note being suspended in the air and you are playing up to it.  Think that you are suspended and the note is below you."
     
  • "Brass players blow too fast when nervous and our air columns become narrower."
     
  • "Listen to yourself at half speed."
     
  • On jaw vibrato: "Move your jaw, not your muscles."
     
  • "Remove vibrato at the end of a note to produce a beautiful taper."
     
  • "Louder equals more tongue.  Softer equals less tongue."
     
  • "Air and tongue can be adjusted like the oil/as ratio in a mower."
     
  • "Forte is 90% air and 10% tongue."
     
  • "You should practice with no tongue."
     
  • "Practice playing really softly without any tongue."
     
  • "Practice diminuendoing notes down to niente.  It will help with the attacks."
     
  • "ppp is the essence of your tone right in your face."

Jazz Funeral in New Orleans: Monday YouTube Fix

Andrew Hitz

The traditional New Orleans jazz funeral is a beautiful way to celebrate the life of someone who has passed away, rather than mourning their death.  To see one is an incredibly powerful experience and this video captures it perfectly.

This funeral was in honor of tuba player Kerwin James who passed away in 2007.  It is hard not to tear up watching this celebration of life.  My favorite part is when they lower the casket and rock it back and forth so he can "dance one last time."

I hope traditions like this one never die.  God bless New Orleans.

http://www.onenawlins.com For more history on this wonderful and unique culture please visit and my website listed above. A traditional New Orleans Jazz Funeral for the late New Birth tuba player Kerwin James. He died in Oct. 2007. Alot of viewers have been asking whats the reason for the rocking of the casket, it's so he can dance one last time.


Joe Alessi Master Class Quotes from 2008 ABA Convention (1 of 2)

Andrew Hitz

In an effort to clean up my office I just stumbled upon a small notebook with notes from a number of master classes.  One of those classes was by trombone virtuoso and master teacher Joe Alessi, Principal Trombone of the New York Philharmonic.

This class is from March 5, 2008 at the University of Miami and was a part of the American Bandmasters Association Convention being hosted there.  There are some great quotes in here for all musicians, not just trombone players or brass players.  There were enough that I have broken them up into two blog posts.

Enjoy!
 

 

  • "A low sound like Darth Vader when breathing means there's friction.  I like low-friction breaths."
     
  • "Auditions are all about time and when you reset your embouchure you will come in late a lot."
     
  • "Practicing without the instrument, like singing while conducting, is very important.  I sing and conduct through a piece with a new accompanist."
     
  • "You must have a pulse to conduct and you must sing the right pitches."
     
  • "I feel like you're reading the music, not playing the piece."
     
  • "It's a whole different part of our brain if we're not just reading the music."
     
  • After having the student play from memory to the back wall: "Look at the music but only refer to the music, like a big band.  Bell's up, music down low."
     
  • "Sometimes we have a good sound and we just don't use it."
     
  • "Your back should be convex with a slight arch forward when standing."
     
  • "If you stand healthy you will probably play healthy."
     
  • "You can tell (in an audition) how someone will play by how they walk into a room and sound."
     
  • "The breath is like a pitcher's wind-up.  You don't have a wind-up right now."
     
  • "Get set up earlier with the face (before an entrance.)"
     
  • "I like to watch the belt area when people are playing to see if they are supporting."
     
  • "You have a really nice sound but you're not always ready to use it."

Believing is the Key

Andrew Hitz

Getting a job as the director of a top high school band program or winning an audition at a major symphony orchestra requires countless hours of hard work and a carefully and diligently executed long-term plan.  There are no shortcuts.

But along with that must be an unflappable belief that you are meant for one of those jobs.  You must not only dream of great accomplishments but also believe that you are the man or woman for the job.

Links That Make Me Think - Practicing Edition

Andrew Hitz

Before the summer I was posting a large collection of links each month.  I've decided to post less links more frequently now.  Here are a few from around the internet that I find interesting.  And please send anything along that you'd like to share!

 

1. "5 Incredibly Effective Ways to Work Smarter, Not Harder" 

This article has absolutely nothing to do with music or practicing and is a must read for any musician, performer or educator.

 

"Measure your results, not your time. The whole idea of working smarter rather than harder stems from the fact that many of us put in more and more hours only to find we don't get more done. That's why we want to find methods to be more productive in less time.

One way to do this is to adjust the way you measure productivity. If you evaluate yourself by what you actually get done rather than the time it takes to get something done, you'll start to notice a difference in how you work."

 

The rest of Jeff Haden's points are great as well.

 

2. "12(+) Ways to Practice a Technical Passage"

Bret Pimentel hits the nail on the head with this blog post on how to approach the practicing of a technical passage.  Really well done.

 

"What is crucial is that you are keeping your brain engaged by varying the material."
 

Amen.

 

3. "The Power of a Practice Schedule"

As usual, Gerald Klickstein of The Musician's Way is right on the money with this short and to the point post:

 

"Consistent, deep practice is the rocket fuel of musical development.  When we live by regular practice schedules we reap countless benefits."
 

He then lists six benefits of a regular practice schedule which are all fantastic.

 

4. Get a Free Copy of Lance LaDuke's "Music Practice Coach" for a limited time!

As I explain in that post, this is the best book on practicing I've ever read and all of my students are required to own it.  Grab it before he changes his mind!

Zubin Mehta and the Israel Philharmonic: Monday YouTube Fix

Andrew Hitz

I had the privilege of seeing Zubin Mehta lead the Israel Philharmonic at Tanglewood perform Bartok's "Concerto for Orchestra" in 1993 as a high school student.  They were a powerful orchestra with a wonderful sound and the performance left me inspired.  

Rimsky-Korsakov's "Russian Easter Overture" is the perfect piece to show off this orchestra with just about every instrument in the orchestra featured at some point.

Enjoy!

 


Collection of Diaphragm Control Exercises

Andrew Hitz

We all want to improve our breathing, both on and off the horn.  After seeing a vocal coach on television tell a singer to "expand your diaphragm out", I decided to do some research.  I have scoured the internet and believe that I have compiled an exhaustive list of every available exercise that will help with controlling the diaphragm.

Here is the complete list of exercises I found:











Which one is your favorite?

Photo by National Cancer Institute is in the Public Domain

Photo by National Cancer Institute is in the Public Domain

Free Copy of Lance LaDuke's Music Practice Coach

Andrew Hitz

For a limited time, my partner at Pedal Note Media, Lance LaDuke, is giving away free copies of his book Music Practice Coach.  All you have to do is go to his website and sign up for his email list.  It's that simple.

Music Practice Coach is a book that I require all of my college students to purchase and use regularly.  It is a fantastic practice method that is written in a simple, straightforward way.  Even tuba players have no problem understanding it!

The entire book is about goal-oriented practice and is a truly marvelous method.  ALL MUSIC EDUCATORS should get this book and encourage all of their students to do so as well.

This book is well worth double its usual price but since that price is currently nothing you really should pick one up today.  He might come to his senses tomorrow.

Click Here for a Free Copy of Lance LaDuke's Music Practice Coach

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