Sam Pilafian on the Importance of Pushing Limits in the Practice Room

"If we over-train via the literature like method and etude books, we're going to know more than we need to know in order to be able to cover the parts that are put in front of us."

-Sam Pilafian

The above quote was taken from Sam's fantastic interview in A Band Director's Guide to Everything Tuba: A Collection of Interviews with the Experts.  It is a good reminder to us all that we have to encounter everything we'd ever need to do on stage (and then some!) in the practice room in order to be truly prepared.

The best bands perform full run throughs of pieces and entire programs when they are mentally and physically exhausted, yet hold themselves to the same high standards.  The people most prepared to win an audition have played the excerpts during their preparations in every possible order including the worst ones for their chops.

Anyone who makes performing look easy has a secret.  It is easy compared to what they made themselves do in the practice room.

Daniel Coyle on the Concept of Deep Practice

“Deep practice feels a bit like exploring a dark and unfamiliar room. You start slowly, you bump into furniture, stop, think, and start again. Slowly, and a little painfully, you explore the space over and over, attending to errors, extending your reach into the room a bit farther each time, building a mental map until you can move through it quickly and intuitively.” 

-Daniel Coyle from The Talent Code

I can not recommend the book The Talent Code enough for both teachers and players alike.  It is a fascinating look at practicing and talent with lots of very easy to understand science to back it up.  A lot of it immediately ended up influencing how I approach the horn and how I teach my students.

Every musician should read this book.